Thursday, November 6, 2008

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Have you ever messed with the paints?
Have you noticed that the bulb produces a light different from the classical fluorescent?

This blog will allow you to rearrange ideas.

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INTRODUCTION LABORATORY: psychological well-being in buildings. COLORANE ONE. - INTERVIEWS

Based on the above above can be applied in everyday life one groped.
What colors are suitable to create situations for psychophysically comfortable furnishings and environments inside a building? Choose one and propose their own solution.
Here are some examples taken from a hospital and a shelter for children.


The people you meet every day who have ideas with respect to color and light?
Intervistane few.





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11 ILLUSIONS EYE

Our view is, as mentioned above, related to life situations where we are and the physiology of the eye.
why there are images in which the eye is "tricked" and decode the image in a different way from reality.

If there is a prolonged and constant exposure to the receptors of the eye image overlays (such as photographic film), at the end of the visual stimulus can not immediately returned to their resting state and then are not ready to decode new light stimuli. This image
continues to be sent to the brain even when you stop and look at when changing the vision of a white surface we can see on it the same figure with the complementary colors (you get a kind of subtractive synthesis because they are from white minus the colors of the image that has strained the eye and brain, therefore we show the remaining colors, exactly the complementary).

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10 PSYCHOLOGY OF COLOR

often hear "What a beautiful warm color ..." or "This object has a color that is too cold."
These statements are related to the way we perceive colors and associate them with events natural.
reds, yellows and oranges are bright and are associated with sunlight and its warmth, while the blues, purples and greens evoke snow, ice, sea, sky.

colors influence each other and it is possible that the predominance of cool colors do overshadow the presence of warm colors and vice versa.
This is called the adjacent colors.
A color may seem warmer or colder depending on the context in which it is located. For example, the color purple is a combination of intermediate obtained from blue (cold) and red (hot) next to a warm color like red looks cool, while close to a color cold as blue, it is hot.



Depending on how warm or cool colors are the different visual effects may be obtained by expansion or compression of space and that's because it undergoes an unconscious effect in psychophysical level.
Below is a list of cards that briefly explain the effect created by different colors.



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09 MEANING THE COLOR IN THE HISTORY

In human history, color has always had a very important symbolic meanings.
Here is a summary of the main.

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08 LABORATORY: MIXING LIGHT AND ARTICLES COLORED

Using lights with colored filters can illuminate objects of different colors.
tries to exploit the rules of the synthesis of color and metamerism illuminating objects with colors complement each other with colored lights and verification using additional lights also can make it appear as if the two objects were the same color.

Or try to get a certain color mixing pairs or groups of different colors.



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07 METAMERISM O

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06 TEMPERATURE COLOR

is the "color of white."

is the temperature of a black body that emits radiation is closer to the chromaticity of the radiation considered.

• Useful in photography, video, publishing etc.

• Coincidence between the chromaticity of a light source
and that of an ideal black body at a given temperature;

• Profit for the calibration of devices over a certain issue
body black

• It is the temperature (in Kelvin) which must be
heat a black body because its emission corresponds to the source;

Examples
1700 K Flame match;
1850 K flame candle
2800 - 3300 K tungsten lamp, halogen lamp
3400 K, 4100 K
Light moon
5000 K Daylight horizon
5500-6000 K Daylight typical;
6500 K Daylight strong, calibrated cinema films;
9300 K Screen CRT. Several illuminating





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05 LAMPS

addition to the sun are the main sources of light bulbs.
Mainly there are two types of lamps: incandescent bulbs and those discharged.
The first are the traditional light bulbs with the filament, electrical current passes through, it becomes incandescent and emits reddish light.
This type of light that is hot.

The others are like lightning. Is generated inside the glass tube of a discharge lamp that produces ultraviolet radiation (invisible) that react with a special "paint" that turns fluorescent in ultraviolet radiation in the visible spectrum bluish.
This type of light is called a cold.


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04 LABORATORY: EXERCISES ON THE SYNTHESIS OF COLOR AND LIGHT COLORED

using the time to do tests subtractive also trying to follow the diagrams below.


Using spotlights of which overlap the color filters perform tests of additive synthesis and try to get the secondary colors and white light.



Diseguito found a video made during a hands-on practice with watercolors.



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03 BEHAVIOUR OF LIGHT

The light is not seen.
We can see only light sources.
The world we live in is visible only because the material reflects light becoming a source of indirect light emission. If the matter
absorb all the light the world would be black and therefore not visible, if the matter is transparent to light we would not see anything except the sun and stars.

Specular:
Every day you look in the mirror (not always willingly). What is the most immediate example of specular reflection.
Specular reflection is given by smooth surfaces that do not absorb light or absorb only a part.
You can also mirror on the metal surface of a car, if the car is red it means that the paint in a non-mirror reflects the red wavelengths but reflects other mirror, allowing us to see our own face reflected.

Wild: . On the edge of the two means, the wave speed and direction change.
An example is looking in a full glass of water containing a straight object, like a pen, partly submerged and tilted, the object appears bent from the water surface.
Each half can only be transparent to some wavelengths but not others such as color filters.



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02 TRICHROMY CITA

The instrument of vision is the eye that receives the primary colors from which mixture you get all the visible colors.
The eye is not sensitive to different colors in the same way. The greater sensitivity to red, slightly lower than for green, while only around 10% of all confidential and sensitive to blue. This is why the yellow (sum of green and red) is the color that seems brighter and the blue light never reaches a comparable and it seems increasingly gloomy.

The primary colors are red, green and blue (RGB Abbreviation for ").


These are contrasted with the secondary or complementary yellow, cyan, and magenta (the English acronym CYM).


Summary additive primary colors, also known as additives, combined together in equal proportions result in white light.

subtractive synthesis: the secondary colors, also known as subtractive, are used in printing. In the paper inks reflect light rather than emit it, keeping the colors from the light incident on a selective basis and making a sort of subtracting the white light.

The best example of the synthesis of color has been applied by the artists dots. Here is a
example of Paul Signac, "View of St. Tropez."
Looking at the image from a distance the landscape is different but when you get closer you notice that it is painted with strokes of color, but by individual points.


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01 COLOR PERCEPTION AND

Matter is not colored.

What is perceived is instead the effect that causes the light interacts with atoms of the objects on which it is radiated.
Most light we see is reflected light.
Light is a part of electromagnetic radiation, thus energy. These radiations are called the visible spectrum.
radiation with shorter wavelength (and therefore higher frequency) are the rays, gamma rays XEI, those with longer (and lower frequency) is infrared (heat), microwaves and radio waves.


Typical light sources are the sun, light bulbs ...

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