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The Round Table of King Arthur is a Roman amphitheater is really

will not be a magic of Merlin to reveal the secrets of the round table but a documentary to be broadcast by History Channel on 19 July. In King Arthur's Round Table Revealed a group of historians identifies a a Roman amphitheater discovered recently in the local English of Chester, a "castrum", clearly Roman as the probable site of Legend of the Knights of the Round Table and King Arthur.

According to scholars the round table, as it was described in the novels of Breton cycle, 'E' and the palace and the hall 's cerchiòvita (the circuit) was all that Ritondo sitting at the table one saw the other face and when they were in there were all round that is one thing and everyone was in fedìano a stake and a sign that they were to the post and drew a sign of obedience and love that "never existed. In fact, the meeting place and recruitment of the knights of King Arthur was a circular structure made of wood and stone, which can accommodate up to 10,000 people just like sitting in an amphitheater.

Historian Chris Gidlow in an interview with the Mail Daiya said that Camelot was not therefore a castle built from scratch but it would be built on a structure built and then abandoned during Roman times, to convince the experts would be a plaque in honor of the Christian martyrs discovered the same site, which is alluded to in the first written evidence of the Arthurian legend, dating from the sixth century Christ.

on IlSole24Ore

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Urusalim Jerusalem

Jerusalem stands on the ruins of the Canaanite city called Urusalim whose location on the southern spur of the hill east of the Old City is uncertain. The Osservatore Romano writes that a comprehensive service dedicated to the discovery of a small fragment of only 3 cm with clear traces of burnt clay, found carefully sifting through the soil to carry the foot of a tower that was part of the fortifications of the city of the tenth-ninth century before the Christian era, consioderato "the most ancient inscription found in Jerusalem could be a crucial step in the reconstruction of the history of the ancient city of the Canaanites / Jebusites, which became, after the conquest by David, the capital of Israel. The discovery - said the Vatican newspaper - was the work of the archaeological mission led by Eilat Mazar who for years has taken over the investigation in the northern part of the hill south-east of the city 'Santa, the Bible Ophel, today in the Palestinian neighborhood which extends south of the fence of the Temple (the Haram esh-Sherif on which stands the Mosque of al-Aqsa and the Dome of the Rock). The size of the find, the ductus wedges Assyriologists read by Wayne Horowitz and Takayoshi Oshima, the study of clay mineralogy, by Yuval Goren, leave no doubt: it is a cuneiform tablet dating from the fourteenth century before the Christian era , made with local clay hills of central Palestine, similar to specimens from el-Amarna, the location in Egypt where it was discovered back in 1887, the stock of international mail is written on cuneiform tablets in Akkadian language of Amenhotep IV , the Pharaoh "heretic" who renamed 'Akhenaten. In this archive seven letters were sent by Abdi-Khepa sovereign Urusalim, an important city-state of Palestine, with Jerusalem precisely identified. Until a few months ago, the archive data of el-Amarna, though accurate, had not been reflected in the archeology of Jerusalem. A century and a half of excavations carried out in every possible point of the Old City and, in particular, the so-called Citta 'Fortress of Zion of David or not to be confused with the Tower of David at Jaffa Gate, which had returned a few fragments of pottery dated at the time of the Late Bronze Age and this had prompted several scholars to question the identification of Urusalim el-Amarna letters of the Jerusalem of the Canaanites (The Jebusites in the biblical story that refers to the last centuries of the second millennium before the Christian era).

on IMGPress

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Visit to the new CD sound

During the last few months I did test it, so there are no sensational news on the improvement of the sound due to the running of cables. How
additional remarks to the previous post, I remember that often, going up one rung on the ladder of the quality of the electronics, what is more noticeable is removed the sound, rather than what is added and not noticed that before.

seems incredible, but I would not be the first to admit that the sound of the CD is actually more fat than it should be, that artificially inflated for look nicer or more aggressive, according to the will of the producers of the disc.

The evidence of these statements are spent listening to HD. suddenly disappear a number of characteristics of the incision that they assumed they vanish or are relocated in space.

The analogy might be the move from a cheap CD player to a medium-high: usually cheap CDs tend to "scream", that is to bring up all the performers, regardless of spatial location, then flattening the sound stage. More
increases the quality, the sound stage becomes more defined and many sounds fade into the background, giving the feeling of "wasting" of sound, which in reality is simply greater fidelity.

The difference is that, with high definition, this happens even if the same source , or DAC in our case: it is enough to feed the DAC with two versions of the same track at different resolutions.
Personally I tried with "Got To Get You Into My Life" in Retrospective Christy Baron (Chesky), made available on a 16/44 version of the sampler cut from the same master to 24/96. Yesterday I
Listened to all the Nutcracker version Philips, at the time considered audiophile. Nothing to be done after the plays hi-def, go back to the old CD is very difficult.

Even the legendary Star Tracks of Telarc, recorded at the dawn of digital technology with the Sony PCM 1610 , one of the best albums of the existing starting to show signs of age, made more evident by the new technologies, particularly signals with low intensity.